Jani Leinonen is taking part in the exhibition Mythologies – The Beginning and End of Civilizations at ARoS Art Museum in Aarhus, Denmark, opening on April 4th, 2020.
The exhibition attempts to expose the narratives that, through various historical epochs, have sustained society and had a governing influence on communities as well as on war and destruction.
With this exhibition, ARoS seeks to persuade the audience to respond to the mythologies that define and create the framework of the society which we are all part of and contribute to. The fact that myths and narratives are the fabric that still manages to unite us all is one of the principal assertions of the exhibition. By highlighting a number of specific historical points of interest, Mythologies – The Beginning and End of Civilizations will uncover periods where old narratives are discarded and new ones emerge, often via radical ruptures.
The exhibition runs through 4. Apr. 2020 — 18. Oct. 2020
Jani Leinonen’s solo exhibition The Truth will open at Serlachius Museum Gösta in September 2020 with a magical installation implemented using centuries-old stained-glass techniques, giving its visitors a plunge into the long history of propaganda and manipulation – and the colorful present.
True to his style and in the spirit of pop art Leinonen uses trademarks, product packaging or popular imagery and modifies the message by taking a stand on social injustices and the responsibility of supranational companies for their actions. The exhibition is curated by Sampo Linkoneva.
The show will be on display from 19 September 2020–7 March 2021.
Lars Göran Johnsson has collected art for nearly 70 years. His journey of exploration that began with a yearning for beauty has resulted in the creation of one of the foremost private art collections in Finland. The multi-faceted collection reflects its creator’s mobile lifestyle and interest in current affairs. Johnsson donated the collection to Turku Art Museum in 2016, and it has continued to grow since then. Filling the galleries on both floors of the art museum, the exhibition opens up vistas onto international modernism and contemporary art.
The collection includes works by Jiri Geller, Mari Keto and Riikka Hyvönen amongst others.
Aurora Reinhard is included in the exhibition Inspiration – Iconic works presenting contemporary art side by side with classical works at Nationalmuseum, Stockholm. The exhibition is on display from February 20 to May 17, 2020, after which it will continue to Ateneum in Helsinki through June 18 to September 20, 2020.
How have international contemporary artists been inspired by the classics of European art? And why is it these works, in particular, that have become known around the world? Inspiration presents art that draws inspiration from iconic masterpieces, created by today’s most interesting contemporary artists. In the exhibition, the original works are referenced, for example, through replicas, prints, plaster casts, and abundant archive materials.
The chief curators for both exhibitions are the director-general of Nationalmuseum in Sweden, Susanna Pettersson, and the London art historian James Putnam. Co-curators for the Ateneum exhibition will be the museum director Marja Sakari and the chief curator Sointu Fritze.
Jani Leinonen’s new stained glass paintings have found a worthy new home at the Dolder Grand Hotel in Zurich, Switzerland.
The installation named “Chapel of Remorse” was originally installed in a 500-year-old barn in the small village of Madulain, in the valley of Engadin, Switzerland, where the glass panels were cut to fit perfectly in the centuries-old window frames.
The glass panels of the Chapel of Remorse are painted with old stained glass technique at Mayer’sche Hofkunstanstalt in Münich.
What is now installed on the Grand Dolder’s wall is not only the stained glass artworks but also the centuries-old chapel-like architectural composition and shapes of the windows of a medieval Swiss barn.
Given the stained-glass technique’s association with religion, Leinonen’s work does convey a sense of divinity. But the work feels no more like a house of God than it does a place of worship to the light, nature or humanity – in all their colorful forms – in good and bad.
The Ars Fennica 2019 exhibition, presenting works by the five candidates for Finland’s most notable visual art award, is now open at the Amos Rex museum. The nominees are Petri Ala-Maunus (FI), Miriam Bäckström(SE), Ragnar Kjartansson (IS), Egill Sæbjörnsson (IS) and Aurora Reinhard(FI).
The Ars Fennica 2019 Award, is granted by the Henna and Pertti Niemistö Art Foundation to a visual artist in recognition of distinctive artistic work of high merit and includes a monetary prize of 40,000 euros.
The winner of the 2019 award will be announced on August 21st by Roland Wetzel, Director of Tinguely Museum in Basel, Switzerland.
The exhibition is open from June 19–September 9, 2019.
Jani Leinonen is included in the new collection display at the Art Museum Gösta Manor presenting classics owned by the Gösta Serlachius Fine Arts Foundation, of the Golden Age of Finnish and old European art as well as more recent acquisitions.
The summer 2019 hanging includes, among other works, Albert Edelfelt’s much-loved Finnish Soldiers in War of 1808–09 and a number of Helene Schjerfbeck paintings. The exhibition is curated by Veikko Halmetoja.
Gösta Serlachius Fine Arts Foundation’s collection includes Finnish art classics and old European paintings and is is one of the grandest private art collections in Scandinavia.
Finnish artist Jani Leinonen received unexpected worldwide attention earlier this year as his sculpture, depicting a crucified McDonald sparked violent protests outside the Haifa Museum of Art in Israel on January 14th.
The sculpture, called “McJesus,” was included in an exhibition called Sacred Goods, that was meant to be a critique of society’s capitalistic culture. The sculpture had been up already since August 2018 and shown in other countries without any incidents. Violent clashes broke out between Christian protesters and the police, after a molotov cocktail was thrown at the museum and the protesters tried to storm their way in to remove the work.
The Sacred Goods exhibition, which focuses on contemporary artists’ responses to issues of religion and faith in consumer society, also featured other provocative works depicting Jesus and the Virgin Mary as Ken and Barbie dolls.
The Israeli Culture Minister Miri Regev demanded censorship of the sculpture and threatened to cut state funds for the museum, however the Israel’s justice ministry argued she has no such authority.
The museum told the Times of Israel that it condemned the violence that broke out in protest of the sculpture.
“A discourse about art, however complex it may be, must not spill over into violent territory and must be respected — even in charged situations,” the museum’s director Nissim Tal said.
Eventually, the Haifa Museum was forced to remove the sculpture before the end of the exhibition, whereas no other works considered provocative were removed.
Jani Leinonen’s beggar sign installation Anything Helps is included in the exhibition Far From Home – the last exhibition in a trilogy based on the ARoS museum’s collection.
The trilogy is intended to present alternative ideas as to how a museum can showcase and talk about relevant themes from our times through text, format, orchestration, and juxtaposition of works. The first exhibition, Out of the Darkness, 2014, thematised the structure and power of the great narratives, addressing the global challenges facing humanity. The second exhibition, No Man is an Island – The Satanic Verses, 2016, used the forceful political, economic, and cultural changes which Europe underwent at the time as a backdrop. Whereas the first exhibition was structured around a global perspective, the next had a specific geographical focus. Far From Home moves in with you – to the core of people’s mental sphere. From the global world to the individual’s experience of feeling at home in this world.
The closing date for Far From Home has not yet been decided.
The exhibition is inspired from an idea by Erlend G. Høyersten and is curated in collaboration with Erik Nørager Pedersen and Jakob Vengberg Sevel, both curators at ARoS Aarhus Art Museum
Zetterberg Gallery is pleased to announce that Aurora Reinhard is one of the five nominees for the Ars Fennica Award 2019, an award granted by the Henna and Pertti Niemistö Art Foundation (est. 1990).
The award is presented to a visual artist in recognition of distinctive artistic work of high merit and includes a monetary prize of 40,000 euros.
The candidates will have a group exhibition at Amos Rex, Helsinki from June 19–Sept 8, 2019 and the winner will be announced in September 2019.
The nominees have been selected by the Award Panel, comprising chair Leena Niemistö, MD, and members; Jussi Kivi, visual artist, Kai Kartio, director of Amos Rex, and Leevi Haapala, director of the Museum of Contemporary Art Kiasma. The winner will be selected by an international art expert appointed by the Panel. During the exhibition visitors can vote for their favourite artist.
The other candidates are: Petri Ala-Maunus (FI), Miriam Bäckström (SE), Ragnar Kjartansson (IS) and Egill Sæbjörnsson (IS).